2016 Summary - Preaching to NO ONE!

So it seems to be a trend at the moment in these end of year round ups to really moan and complain how bad 2016 was, I don't want to do this. Personally for me it was just like 2015, and probably the last few years... Constantly overworked, not creating physically enough time to concentrate on recording new records, oh and I got to travel around a little more than I previously did. A personal highlight for me was continuing my learning of the Spanish language, the culture, and visiting twice / exploring the country; this is something that will continue into 2017.

Yes a lot has changed in the world during 2016, there's been some horrible tragedies globally, deaths, bad political changes, and it's really yet to be seen what impact they will have on the world. But I'm an eternal optimist, I think you have to keep on going, keep on fighting. There's either this, burying your head in the sand, divorcing your self from reality, or worse becoming apathetic which can be very unhealthy.

Posting this feels like preaching to the converted (or to no one!!), and I know this is possibly not the reason why you came to this blog.

Live

So... 2016 didn't see many BBBlood (or billed as Paul Watson) shows, but those that I did play were enjoyed. Out of it there should be a BBBlood / Claus Poulson split cassette which is a live recording from my performance in February. I've found a good home for this recording now, so if all goes well I'll be posting more details here.

No gigs outside London this year,  hope to change this.

November straight after the excellent Colour Out of Space festival I supported Evil Moisture, Wall & Durgan at New River Studios. This was a fun night with some great sets, thanks again Aimmar.

The December last show at Electric Knife was emotional, drunken, and ended with a great set by the golden boy of North London Kostis Kilymis. Lovely day! It's the end of an era in Kentish Town, and I wish T all the best in Plymouth.

Going forwards I hope to announce a couple of shows for 2017 soon.

New releases (haha)

2017 another three way split CD should surface, I'm not going to say any more but it's a split with two other artists who have had in my opinion a great 2016 and it's a honor to work with them both. Again more details in due course. Watch this space!

The split box with Duncan Harrison is still happening, it's just taking me forever to get things moving. My own fault, maybe I should do a fundraising page to get the £££ to release the record. If I have the customers breathing down my neck it will get released in 2017!

Also a short C10 split with Child Friendly will come out, another project that I'm self-releasing just not getting finished.

Otherwise there are two other projects I'm working on but it's too early to give more details, things are drifting all over the place.

Best of 2016

Tough question, I was struggling to remember a lot of the records that stood out last year, how ever this always becomes a long list. But in no order these are some records I listened to and enjoyed...


  • Gerritt Wittmer - "Unknowns" C20 [No Rent]
  • Louie Rice - "33/45" 7" [Organized Music from Thessaloniki]
  • Richard Kamerman - "Music for glassblower's studio and broken toy piano" C31 [Organized Music from Thessaloniki]
  • Joe Colley “No Way In” LP (as mp3) [Glistening Examples]
  • MAAAA - "Abhorrence And Dismay" CD [Triangle Records]
  • Placid Tracktor - "The Great British Shopper" C30 [Bogged Down]
  • Aaron Dilloway & Dylan Nyoukis ‎- CS / CDR "Dropout Elements"[Chocolate Monk]
  • Marc Baron - "Un Salon Au Fond D'Un Lac" CD [Potlatch]
  • Anxiety ‎– "Self Titled" LP [La Vida Es Un Mus]
  • Wanda Group - "Central Heating" LP [Opal Tapes]
  • Stuart Chalmers / Z. Zsigo - "Untitled" C30 [Strange Rules]
  • Aqua Dentata - "An Equine Red" C30 [Strange Rules]
  • Posset ‎- "Double Jupiter" Cassette [Vitrine]
  • Tourette - "Proximité Du Murmure" C40 [Triangle Records]
  • Croatian Amor ‎- "Love Means Taking Action" CD [Alter]
  • The Pheromoans ‎- "I'm On Nights" LP [Alter]
  • Dale Cornish And Phil Julian ‎- "Laughing Out" 7" [The Wormhole]

Non 
  • Colour out of Space 2016, especially Kent Tankred + the Fylkingen Records curated night, superb festival overall.
  • This Heat @ Cafe Oto,
  • Pigs Ear 2016,
  • Digging up all my Prince tapes,
  • Duncan Harrison Live,
  • Madrid in August, Melque, Gijon,
  • Friends / loved ones,
  • Last day of Electric Knife,
  • Black Velvet,
  • La Pirata Black Bock BA

OK that's enough..

 
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Next show: A tearful farewell to Electric Knife records 10/12/2016


Saturday 10th of December
last day of the shop

Duncan Harrison
Paul Daniel Knowles
dsic
Paul Watson
Daniel Gregory & Alec McGrory
Kostis Kilymis 

I reckon it'll be a good afternoon of electronic music, drinking, and more...

So please come along and buy records.

Thanks

Next Show: Evil Moisture, Mark Durgan & John Wall, BBBlood + More...

Note about next BBBlood performance.

21.11.2016

£7 entry 

New River Studios

Ground Floor Unit E, 199 Eade Road, N4 1DN London,

Evil Moisture
Andy Bolus (Evil Moisture), whom one fan said he "almost preferred ...to Joseph Roemer", has worked since the early 90s in such fields as circuit bending (almost before this term really existed) and self-taught electronics allowing fabrication of basic synth building blocks, chaotic circuits, unusual ways of 'synchronizing' non-rhythmic sounds, alongside a use of magnetic tape (early evil moisture material was entirely edited by splicing tape) and electronics to produce a kind of low-fi musique concrete which would've no doubt been rejected by Ircams engineers as "technical fault, unlistenable", but it would've been rejected by Wattie of The Exploited as "fuckin shit" too, so whatever.. 

Recently he has been working more directly with tape 'live cutup', using multiple reel to reels, modified tape echos, and home made tapeloop delays, using as source material basic sounds such as oscillators, function generators ring modulated sounds, and home made microphone circuits such as ultrasonic (bat) detectors (http://evilmoisture.free.fr/bat/). In addition to many Evil Moisture releases he has also made exhibitions and books of his visual work, recently collaborating with the Danish artist Zven Balslev. He runs the label School Of Meat Cutting, releasing cassettes and also an ongoing series of "effects" and sound generators (examples here http://evilmoisture.free.fr/mangler/mashers.html). He also regularly does workshops where people can build such things as ghost detectors, optical theremins, noisy synths, and is teaching an ongoing project to make a haunted house in association with the Lycée Autogéré in Paris.

John Wall & Mark Durgan

It’s a pleasant surprise to discover how well-matched Wall and Durgan are as a duo. Considering their contrasting backgrounds and approaches, their respective vocabularies mesh very successfully, yet retain a healthy amount of contrast and tension. Durgan’s contributions, generated from modular and pressure-sensitive synthesizer, develop the vocabulary which began to emerge on his 2009 PAN album Ploughing Furrows From Rotten Burrows: thick, relatively slow-moving sounds concrete-style slaps, oscillating granular pitches and crude percussive blurts which hint at looping patterns.
Wall uses a computer, which presumably allows him to move and react more quickly. Consequently his playing is more volatile and diffuse, deploying fraying frequencies and jittery, sibilant textures, which evolve rapidly into detailed fractal-like clusters; or glassy surfaces ruptured by bursts of tonal splintering and structural disintegration. - The Wire

BBBlood 

Proper noise of the highest order: racket torn from a selection of table-top electronics and homemade devices (loose contact mic taped into tobacco tin being a live favourite). He has a wire-walker’s sense of balance – the balls-out noise is gonzo enough for nostrils flaring, meathead catharsis, the calmer moments clever and detailed enough to reward serious contemplation. Snatches of field and domestic recordings are dropped into the mix adding a very exciting sense of location. Thus, Paul does not present a free-floating, atemporal harsh noise wall. Instead this is very definitely happening Here and Now.” - Radio Free Midwich

Cementimental

Harsh noise - Circuit Bending - Rough Music - Since 2000AD

Pete Cann

Mangled electronics and decayed samples

21 November at 19:00–23:00
Next Week · 6–9° Rain£7 entry


Previous show.

This blog hasn't really been updated much of recent what's a shame but I'll make greater effort to get this restarted. But as per the previous post there's not been much to report.

I forgot to post the details of this show last month. Thanks to those who came along.


More news soon.

What do you expect?

Just posting a blog post here to say yes things are still moving, no heavy barrage of new releases or gig dates on this front.

Hopefully if I'm productive enough and all goes well there's a new tape and a full length to arrive this year.

Also a handful of gigs to be announced in the near future.

For now watch this space.