Compilation "net-release of one-second-long chipnoise, chiptune, 8bit, videogame, micromusic NOISE by various artists, collected by Tim Drage (Cementimental)"

BBBlood - broken bit features as track 112 out of 258 tracks! Tracklist


Another demo uploaded.

27/02/2011 - Demo by BBBlood



Another SoundCloud upload from a recent rehearsal. Check it and please follow...

Demo 26-01-2010 by BBBlood

BBBlood / Duncan Harrison c30 - Update

A great review with some small conversation of the BBBlood / Duncan Harrison split C30 from last year can be found here on the fantastic MuhMur blog. Thanks!

This tape is now sold out but we (Duncan and myself) are planning to re-issue this as part of the Crystal Maze in a bigger edition with extra tracks and a possible collaboration some time in 2012 (hopefully).

Duncan is currently embarking on a UK tour with HoboSon who I met in Brighton last month and they have a great tour edition tape available. Check out this link for more information on their tour.

Destroy, Shatter, Stun, Intoxicate

Sold out very fast, I do have literally 2 copies left from my artist copies so please contact me if you would like to buy / trade. Otherwise they'll be gone very soon.

Tape review

Very soon, I will be uploading this release along side last years also sold out 'Rust' C20 online for free download.


Artist page on Facebook established, will be dishing out occasional updates on shows, downloads and new releases.

Check it out, spread the word.

Free BBBlood

Two releases from the archives have been uploaded as MP3 for FREE download


2011 Plans

The following releases are planned for this year
  • BBBlood lp (NO LITE)
  • BBBlood / Pollutive Static split 7" + Collaboration cassette (Der Bunker)
  • BBBlood / Izanami's Labour Pains CD (TDS)
  • BBBlood - C40 (Geluidsoverlast)
More TBC...


Der Bunker Records Presents...

More information to follow soon.



A great review of the now Sold out Rust c20 released at the end of last year reviewed by Evan on his review blog Inside Noise Reviews

RUST c20
SELF RELEASE, December 2010

Side A immediately pummels my speakers with HNW textures and shrill droning feedback that split into deeper bowel moving, blotting rumbles and high-pitched harsh noise scratching and scraping, sounding like contact mics. The feedback comes and goes, the rumbling begins to slap-back echo before churning and thrashing into higher gain territory. What's nice about this track is about how elements and textures come and go- returning full force. The low rumbling ceases, leaving only the scratching and scraping, like 1000 nails on a chalkboard, over and over in what sounds like a circular, almost whirlwind motion. The churning returns briefly before fading once more. The feedback also ceases. A new mid-range swirl is introduced, sounding similar to ocean waves. The scratching turns into a higher pitched static and what sounds to be cymbals or junk metal fade in. At this point the track is stripped bare of all low end, before HNW walls burst through, also bringing back the scraping that was a mentioned earlier. A sense of fried circuitry can only be felt here, the charred black wall surging with swampy lows and electric-shock high crackles. The wall turns into a moster, screaming before cutting out- leaving a looping organic texture before fading.

Side B slowly sneaks out of my speakers, dark-ambient atmospheres gradually building up. A drone starts to take center-stage before fading back into the ambience. Heavy contact mic'ing emerges almost instantly, smashing, hitting, bashing. The atmospheres are no more. Violent Japanese-style bursts, blown out low ends throbbing and pulsating while the scraping continues on. Feedback emerges before everything cuts back into the dark ambience. A certain fuzzed out circuit sound gains momentum and volume over the ambience, going from it's constant volume to dominating the track, before going back to it's regular presence. Crackling flame-spewing starts under the ambience, not quite white noise, not quite hnw, before cutting quickly into contact micing under the same ambience. Feedback flies by, shifting and disappearing in waves. The scraping piles on thickly, only stopping to let feedback make repeated cameos. Again the harsh japanese thrashing starts once more, but way more blown out, extremely blown out. And then cuts off. More violent than the first track, but clearly thought out in the placement of each movement.

This cassette makes me want to listen to it again. And again. The tracks are JUST the right length to get that certain itch that leaves you wanting more.


Now sold out, I will soon be uploading MP3 of this and the recent 'Destroy, Shatter, Stun, Intoxicate c20 cassette.