No real updates currently, loads going on though.
But wanted to share a quick video from mobile recordings from my last show in Brixton in June.
Paul Watson from London UK, (BBBlood) noise /experimental / loops / feedback / gunk / cut up weird etc..
No real updates currently, loads going on though.
But wanted to share a quick video from mobile recordings from my last show in Brixton in June.
Last year I collaborated with my good friend Dan Bolger. Here are the results under the artist name of Mein Host.
Hey, I'm playing this event at Spanners next month (June 2026). If you are about please come on down.
Back in February I was honoured to be asked to join the 4046 group for a performance on A Slice of Reality, static boat near Greenwich. Was a great night and really nice to collaborate with the rest of the group.
A recording of the set was broadcast on Resonance FM earlier this month.
Check it here...
https://extra.resonance.fm/episodes/naus-2026-05-07
Thanks.
Next up, radio silence, flurries of activity, procrastination, and then finally some blood. Possibly a live set too.
First of, apologies to reader(s)? of this blog for posting about a gig after it happened. I'm blaming flu and being wildly out of it post sickness. OK, as much as it makes no sense posting this, for the record I played a set at The Hundred Years Gallery on the 24th January as a collaboration with good friend and fantastic musician John Macedo, this was part of the ASCH tour of the UK. It was a great night and I feel the set went well. Thank you James for putting this on and uploading his recording of the set.
Next up, recordings in the works, procrastination, flurry's of activity.
2025 Review...
This post was started optimistically in a restaurant in Madrid over breakfast two weeks ago and finished on a drab cold Winter's afternoon back in North London way past the intended 1st of January deadline.
BBBLOOD / LAST ACTION - Split CDr
Paul Watson is an absolute fuckin' living noise legend that has literally earned more stripes in the game than an Adidas tracksuit. This dude is hands down a top-notch geezer from head to toe, OG pedal pusher, golden day one connect & one of the best to ever do it the harsh way across the pond in the United Kingdom. King life. Dad life. From his truly memorable Audiobot release way back in 2006 to this terrifying shredder almost twenty fuckin' years later... It's full circle season & you're more than welcome in our harsh noise escapist circle where walls collapse & skulls explode. You need this sh*t euh split in your life. Full-color artwork packaged in slim orange DVD-case with fold-out insert & b/w xeroxed upcomin' releases flyer. Spraypainted discs just like Da Teacher told us. Edition of 20 copies.
Thanks to those who came out for the Leeds show other month was great to play and see everyone.
I did a very short video with the clips I was sent on Instagram (Thanks Andy, Anna, Pete, and others I'd forgotten)
And uploaded the last of the Cycle videos I did back in pandemic time
Also two appearances on two very different compilations
Just a quick note I'm playing Leeds on Saturday (21st June), first gig there in almost 10 years.
Crater Lake Presents...
BBBlood - Junk/noise/gunk
Vile Plumage - Tapes, tales & terror from Burselm
Carnivorous Plants - Estatic guitar drone zones
Wire Mothers - Banshee electronics for cold-blooded nurturers
21.6.25, 6pm
£8/PAYF Contact @feghoots for location.
Thanks to Pete for putting this on at a new location, sounds quite exciting.
New release out now on Un Poco Fria
This is the diffinative edition of the previous digital only release of Feral Tape. Containing recordings between 2013 and 2019, it's been expanded in 2024, mastered by Grant Richardson (Hex Audio Labs), and given the first class treatment by Un Poco Fria from Yakima, Washington, USA. I'm really pleased to have this one finally released. Limited copies still available at time of writing with the label.
https://unpocofria.bandcamp.com/album/feral-tape
A sum up of 2024.
Live: No gigs in 2024, I plan to change this in '25, but the main focus has been recording new materials and learning new audio gear.
Recordings: I've been recording, editing a bit, but nothing has been released this year. In 2025 a issue/re-issue of Feral Tape is planned. But I'll a post more on this when it's out.
Best of 2024: (aka a list of records that came out this year / experiences / reissues that really stood out over the last year, in no order at all), I spent a good afternoon looking through all the CDs, LPs, tapes and Bandcamp digital downloads I can remember. I'll probably spend too long on this as per usual and then miss something off by accident.
I hope you are well and have a great festive break if you take one.
Just posting a quick note to say BBBlood / I am still active. Normally I've only have limited time to recording / producing noise, but I'm working towards a new record which I hope will surface in 2025.
Samples, why not? Here's a clip of something WIP that I uploaded to Soundcloud.
Hi, so this time round I have done a end of year write up, it's a little shorter than the usual.
I guess it has been a challenging year for all, it's especially hard to stay positive when what goes on in the fills you with dispair.
However, musically (is it music) for me I guess it's been an OK year, and feel I'm finishing on a positive with these recent shows. Would like to have got a new release out, but just never made the time.
Thanks to those who made it down to the shows I did this year. Especially to James and Paul who booked me and to the other artists who played. It was great to start playing again, not so great to lug my Peli case around. But cheers for cheap cabs and free drinks, more for 2024!
I think one thing that stood out to me playing gigs for the first time in a few years was the volume of great new noise/experimental/whatever artists there are now both locally and across the UK has exploded post-pandemic. I feel like maybe 4-5 years ago I knew pretty much most of the artists who made noise in the UK but now I know virtually nothing! And I'll be honest it's really encouraging and hopefully means more gigs, meeting new people, and pushing the boundaries of genre.
I thought this year I'd try to get a EOY list completed as I don't think I did one for last year.
So this is a "list of records / experiences / reissues that really stood out over the last year, in no order at all..."
2024, so what is the plan? I'd like to get the Cycle noise project I started completed plus another full length record that's been off/on in the works done. Maybe some releases from the archive finally seeing light? Gigs, yes I'd like to play some more, some of the ideas I started to work on for the 'Mulch' gig in November need to be explored further. Plus also it's great just to play something incredibly harsh and noisey.
So to you who are reading this post have a great festive season, here's to 2024.
Thanks to those who came out last week to the Helm / Mlehst show. Was real fun.
Next event is in November for the Tread into Mulch series.
Hey, so I don't really know who reads this blog (shout if you do!) but normally I do a end of year round up, best of the year, and give some reflections. That didn't happen in 2022, it was a mad time and I couldn't make the time to post here.
Anyway, new show announcment in September 2023. I'll be supporting the excellent Helm, Mlehst, and Gutter Carrion at New River Studios. Please see the flyer.
After that hoping to announce something very different in November, but more information about that later.
Review:
Readers of this blog might (or probably didn't) notice / care that there was no 2021 review, but I did start writing a blog post back 17th December last year. Here it is, I just never hit publish. Since this, no new news, I'm kind of taking a break for now, but never say never...
You'd think, it's got to get easier? But 2021 was personally a challenging year, so that translated for me into a not so productive year. I mean there's not been too many gigs going on here in London until recent, and people are generally I'de like to think more cautious about going out. I didn't play any shows, nor did I get a rush of creativity caused by lockdowns or being indoors.
I think the one thing I appreciated the most over the last year was the support of friends and family.
It's not all bad news, I do feel and hope the worst of this is past us, I managed to go abroad for a few weeks, got to see family I wasn't able to in previous years, and I think it meant when I was out I valued the company and occasion more than in the past where sometime I feel it could be taken for granted.
With all that considered, I was able to relase one new BBBlood cassette 'Deaf and Capital' on Fantasy Knife, which is now sold out from me, but I believe should be available directly from the label and various noise distros. Thanks to everyone who purchased a copy it's appreciated.
What else? I record a lot of music, field recordings, sampled manipulations, noise, cut ups, but I think the challenge is really that focus time to edit and mix down everything into a recording that I'm satisfied with.
In 2002 when I first started to record I was wet behind the ears, listening to Merzbow, Masonna, Bastard Noise (all via Relapse) and whatever other noise I could find via mail / early online distros, the bar for quality noise was set really low, and I also had way too much time on my hands. Now fast forward to 2021, with all the noise gear I'd dream of back then, family responsibilities, a global pandemic, information overload, and a wider appreciation for noise music. I feel the need to make sure that anything I release is original, thus putting a lot of pressure onmyself to do something I'm really proud of. As 2022 is the 20 year anniversary of 'Experiment 1' I'm planning on releasing something next year on CD as a celebration! As and when I'll update on Twitter and this blog.
End of year list:
As ever I try to put together a list of records / experiences that really stood out over the last year, in no order at all. This includes gigs, reissues, restaurants, anything I want.
I can never really get the look and feel of the blog here quite right so will be experimenting with some themes and changes / a refresh of the content. What started initially as a MySpace blog transferred over to blogger has never really been maintained properly.
Otherwise, loads of half finished ideas, none ready for release. No gigs lined up currently but will announce here if that changes.
New BBBlood cassette ep "Deaf and Capital" has been released by new NYC based tape label Fantasy Knife. I'm extremely happy to see this tape released and it's the first new(ish) BBBlood recordings to have been released for some time.
It's a c30 comprising of material I've had in progress for the past 4-5 years, mangled re-processed in 2020.
I have a limited number of copies so if you are interested message me. If you live in mainland Europe White Centipede Noise have copies, USA either direct from the label or Skeleton Dust.
Please check it out. I'm considering uploading to Bandcamp when it's sold out, but for now it's offline.
As tradition I use this blog to document each year based on what I achieved. It's normally a fun review of the year passed, and a time to briefly reflect through a pretty limited set of criteria (shows played, favourite reords, gigs etc..).
I don't need to tell you, as you're living through it too but 2020 just wasn't great. I really hope those who are reading this are safe and well. Personally, I have to view it through the frame that I'm healthy, and incredibly grateful it's meant I've spent more time with my family, and that's been priceless.
Putting it aside (if that's possible). For some it's been a very productive year, the volume of new recorded output, online streamed shows, collaborations, and creativity from others has been immense. I'm truely in awe of those who have been able to make the most of a situation. I guess it's one of the only ways to truely keep sane at the moment. Some people I know have chosen to drink through the pandemic, for me
the temptation has been there but it does feel like a waste. I guess we
do what we do to cope. I'm hoping that 2021 I'll be more productive and organised in my work and noisy output.
Gigs, I did play the one show, the day before the lockdown in
England was announced in March, this was a collaboration with Yoni
Silver and was later released on Beartown Records. It was great fun and really made me excited about the potential for gigging.. But for now that can wait. In reflection it was a bad idea to play that show, but none of us knew at the time.
Recordings, the previously posted The False Face Society release and releasing a mini album as a digital download was all that was newly released. I also uploaded some older eps to Bandcamp. I did finish off a couple new recordings this year but they are yet to be released. More information here when I have news.
Best of 2020, in comparison to the previous years I've not really consumed as much new music, but here is a list (and I'll probably review it 2-3 times more after posting)
Best wishes for 2021
Paul
Almost missed this.
I contributed sounds for the first track on the latest The False Face Society record "Running Me Down" what was released on CD by Clean Index in Australia.